Happy Saturday, friends!!
Thanks for stopping by Diversity Between the Pages. Today, I wanted to share a list of authors who write ethnically diverse Christian fiction. Some of these authors write other books as well, so if you’re looking for just diverse fiction take note. I’m only including a few authors for brevity’s sake, so please, if you know of an author or two (or more), please add them in the comments.
Also, remember to check out our Diverse Book Recommendations page. You can click on the cover to go to Amazon and learn more.
- Piper Huguley
- Connie Almony
- Alana Terry
- Stacey Hawkins Adams
- Allison K. Garcia
- Ruth Logan Herne
- Melissa Wardwell
- Varina Denman
- Neta Jackson
- Cynthia Marcarno
- Nadine Keels
- Tessa Afshar
- Kim Cash Tate
- Michelle Stimpson
Happy Saturday, Diverse Readers!
I hope you’re having a good week. I’m happy to quick off the weekend with a new open discussion topic. Let’s talk stereotypes.
Every ethnic group has them. Some were created based off the majority and some are perpetuated by the media.
So what’s a writer to do when writing ethnic characters? Do we use stereotypes when writing a character? And if we do, does it help or hurt our stories?
I’m personally found of seeing authors write stereotypes in order to dispel them and open the readers eyes. Unfortunately, not every writer uses them this way. So please, chime in! What stereotypes are you tired of seeing in writing? And please share any tips for authors, so that they can avoid using them.
Happy Saturday, y’all! I pray you had an awesome week of reading and relaxing. If not, that’s what the weekend’s for. 😉
Before I move on to the discussion topic, I just want to recap our blog post from this week. Monday, Terri interviewed Leslie Sherrod. Wednesday, Jamie shared a book spotlight for Sushi for One. Friday, I shared a review for Signs of Life. Now on to today’s topic!
Today, I thought I’d be real informal. I want to hear from you! Share when you first realized that Christian fiction was lacking in diversity AND share the first diverse book you read.
I’ll be honest, I don’t think I really “noticed” because I’m used to not seeing diverse characters. It’s one reason I’m so passionate about writing them. I do remember my first diverse read. It was Ronie Kendig’s Firethorn. (Author Interview here.) Never have I been so happy to see a book cover with a Black man on it.
Post by Toni Shiloh
Happy Saturday, folks! I pray that your week was awesome. We had a good week here at Diversity Between the Pages. On Monday, we shared an author interview with Bonnie Engstrom; Wednesday, Jamie shared a book spotlight for one of Lynn Austin’s books; and Friday, Katie shared a review of The Bedwarmer’s Son. So you know what that means…yep, open discussion time!
Today’s question is a touchy one, so please be on your p’s and q’s. I want to ask if racial slurs in historical fiction (or any genre really) are ever necessary?
We all know that Mark Twain used racial slurs in his novels. I’ve heard the disclaimers that it was realistic for that time. I’ve also seen reprints or adaptions that have removed all derogatory slurs.
So what say you? Do racial slurs add authenticity to a work of fiction or is it adding to the dissension between minorities and majority ethnicities? Also, is it worse when written by a majority race versus a person from that ethnic background?
Open discussion post by Toni Shiloh
Happy Saturday, folks! Hope you’re weekend is off to a great start.
For today’s open discussion topic, I wanted to discuss the subject of appropriation. You see the phrase tossed around a lot in the book world, especially when it comes to writing poc (people of color).
In case you’re not familiar with the term, it basically means taking something and using it for your own gain. There are some people in the Black community who feel that white R&B singers have appropriated the R&B culture and used it for their own gain. That also goes for non-minorities wearing cornrows (braid style), dreadlocks, singing Blues and other music attributed to the Black community.
(As I am Black, I’m not sure if other minority groups feel the same way. If so, please chime in.)
Anyway, I want to ask the question, when do you decide that a non-minority writer is appropriating poc’s culture for their gain in hopes to achieve literary success? What makes a story written by a Caucasian labeled appropriated material versus admiring them for adding diversity?
I can’t wait to hear (read) your thoughts on the subject!
Discussion written by Toni Shiloh
Happy Saturday, y’all!
Thanks for joining me as we settle down for another open discussion. One common question I’ve seen across social media is where can you get ethnically diverse Christian fiction published?
Readers are clamoring for fiction that fits their lives. Not everyone around them looks like they do, experiences the same life issues they do, etc. Yet, their fiction usually focuses on the same theme, a Caucasian who lives in a small-town.
A lot of ethnic authors are Indie (independently/self-publishing) publishing their works. Each has their own reason, but some Indie publish, because no one will take their ethnically diverse characters.
So, if you know of an agent or publishing company (small press, big press, etc.) who wants diversity, leave a comment and help an author out. 🙂
But, before you go, since this is an open discussion, tell me, what do you think publishers should do to change the market to be open to everyone regardless of race?
A couple of weeks ago, we started the discussion, Who should write ethnic characters? If you missed it, you can find it here. We started the discussion based off this article.
There’s a section in this article where a person states their opinion on minority writers becoming marginalized due to the rise of non-minority writers writing ethnic characters.
It’s an interesting perspective and one that speaks to centuries of hurt. After all, there was a time when minorities could not be published unless they established their own printing press.
Even today, there are authors who believe they can’t/won’t be published because of the color of the skin of their characters. So this begs the question: What is the difference in non-ethnic portrayal of ethnic characters and portrayals by ethnic ones?
Do you believe a non-minority writer can portray an ethnic character just as well as an ethnic writer can?
We’d love to hear your thoughts in this open discussion forum. Let’s talk!